As Matthew Ross new film Frank & Lola opens, Michael Shannon is in bed with Imogen Poots. Later, we move into gloomy streets covered in the same shadows, although now backlit by the neon lights of Vegas. Catch Me If You Can Plot Synopsis. Theyre in the heat of passion. The biggest way in which Frank & Lola manages this is by not wasting a great amount of time explaining much of anything regarding plot. Suffice it to say that Frank and Lola is a picture that casts a moody spell as it wends its way through plot convolutions that depend as much on atmosphere as surprise. Running time: 88 mins. Pam Grier reflects on her most iconic roles, from. Poots sketches Lola vividly, but she remains a relatively opaque presence by comparison to Frank, to whom Shannon brings such deep reserves of suppressed rage that you expect the screen to burst into violence at any moment. "Frank and Lola" starts right in the middle of a frank sex scene between its leads, the fortysomething chef Frank (Michael Shannon) and the recent college graduate and would-be fashion designer Lola (Imogen Poots), and it continues in that vein, dropping us into the middle of moments, relationships and predicaments and expecting us to find our way through them. The finale sees Frank confront this fact. 2023 Oscars predictions: See who will win at the 95th Academy Awards. Director: Matthew Ross. Welcome to the Quantum Realm. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. By continuing, you agree to the Privacy Policy and They excel as lovers in this tightly-wound psychosexual love story that has elements of the best of Eyes Wide ShutFrank & Lola has some of that film's noir-esque aesthetic, too, with hints of Michael Mann's night-time city lookCarried by two accomplished performances, and despite a tight 87-minute running time, this is a rich saga, bathed in atmosphere that disturbs as much as it engrosses. And its almost enough to make it work. The first scene is cast in blue and black shadows, as if explaining the mood before a word is spoken. He carries the same sort of intensity into his moves in the kitchen, where you can feel the mans devotion to his craft as though he were a musician working with his instrument. Yes, after a lot of trials and tribulations, Lola and Max end up together. [7], The film had its world premiere at the 2016 Sundance Film Festival on January 27, 2016. Their honeymoon is endangered, however, by Frank's jealousy. Max tries to apologize and make her stay but is unable to express himself properly. Thank you for subscribing! Drinking alone in a bar, he sees a man abusing his girlfriend. Refresh the page, check Medium 's site status, or find something interesting to read. She holds Frank as he dies from wounds from the returning . This man raped Lola years ago. When Lola receives a job as a fashion designer, Frank becomes jealous of her boss, Keith Winkleman, even though Keith makes it clear that he does not make a habit of sleeping with his employees. Rest assured, our passports are ready.[17], The Film Stage's Ed Frankel: "Frank & Lola, a noirish erotic thriller from journalist-turned-director Matthew Ross, finds leads Michael Shannon and Imogen Poots in top form. [4] In February 2015, Arclight Films announced that it had acquired all international sales rights for the film. Matthew Ross's Frank & Lola is about an adult male grappling with the mind-blowing revelation that his girlfriend had a sexual life before him. Alan invites Frank to the club where he has a one-night stand with a wealthy Parisian woman and her friend. It turns out theres no rest for the wicked. Together, Frank and Lola build an intense relationship that saves them from their mutual despair. 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[24], "Sundance Institute Completes Feature Film Lineup For 2016 Sundance Film Festival", "Berlin: Arclight Launches Robert Halmi-Backed 'Frank And Lola' (EXCLUSIVE)", "Sundance Slates Composers and Filmmakers for Music and Sound Labs", "Danny Bensi & Saunder Jurriaans to Score 'Frank & Lola', "Sundance Premieres Include Films From James Schamus, Spike Lee", "Universal Lands 'Frank And Lola' For $2M+ Sundance", "Michael Shannon & Imogen Poots Romantic Noir 'Frank & Lola' Sets December Date", "Michael Shannon falls for a femme fatale in smoldering Frank & Lola trailer exclusive", "Frank & Lola review Michael Shannon sizzles in twisted romance", "Sundance Review: 'Frank & Lola' Starring Michael Shannon, Imogen Poots, And Michael Nyqvist", "Matthew Ross sends Michael Shannon down a rabbit hole of sex, lies, and depravity", "First Look At 'Frank & Lola' Starring Michael Shannon & Imogen Poots Sundance Video", "25 Filmmakers & Actors That Broke Through At The 2016 Sundance Film Festival", "The 15 Best Films at the 2016 Sundance Film Festival", "Best of Fest: Sundance 2016's Top 10 New Voices", https://en.wikipedia.org/w/index.php?title=Frank_%26_Lola&oldid=1137699558, This page was last edited on 6 February 2023, at 00:33. Upon her arrival, she bumps into Max, the handsome boss cocky (farm manager), who warns her to stay away from Hazel. He follows the man outside and beats him in a fit of rage. Even if the audience cant always root for Frank and Lolas relationship, theres an element to the love they share which makes them so compulsively watchable because of the darkness their love conveys even in scenes of tranquility. There's something missing here, something big, something that would have tied up all the film's finer qualities into a coherent whole. When he does, however, Alan, a suave fellow who has an open marriage with his rich wife Claire (Emmanuelle Devos), offers an alternative account that suggests Lola has been deceiving him. Mystery & thriller, He cooks for her and while they say the quickest way to a human beings heart is through his breadbasket, the same seems to apply to women too. This friction between the actors gives the film an uneasy texture that suggests that Frank and Lola are intoxicated by their resentment of one another, but Ross doesnt explore it. Thats a perfect fit for Shannon, who is able with near-minimalist gestures to convey the inner distress of a man obsessed with a woman and bent on sweeping away all doubt about her fidelity. These are quite real feelings that should be explored by filmmakers, but Ross keeps butting into these themes inadvertently, regarding his heros self-absorption with a generally straight face. Frank uses the trip as an opportunity to find Alan, intent on killing him. Frank realizes shes a girl in danger of causing him constant misery, especially when she rarely comes home at night on time, and sometimes not at all. Matt Zoller Seitz is the Editor at Largeof RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. As just noted, the master issue is in that location isnt a class A performance from this moving picture. The film begins with Saul Bass-influenced opening credits and a pulpy score by John Williams. Shannon and Poots star as the titular couple here. By creating an account, you agree to the Manage Settings This is obviously a modestly-budgeted film, but production designer Gerald Sullivan and cinematographer Eric Koretz have collaborated to give it a glossily seedy look, while editors Rebecca Rodriguez and Jennifer Lilly maintain a deliberate pace without sacrificing tension and Danny Bensi and Saunder Jurriaans have confected a properly unsettling score. While this may sound all too grim for a cinematic representation of romance, Frank & Lola is nothing if not incredibly realistic in the way it captures the exciting and oftentimes consuming state of being in love. Indiewire listed Ross as #3 on its list of 25 Filmmakers and Actors Who Rocked Sundance, saying that Michael Shannon is in almost literally a dozen movies this year, but we wonder if hell get a better showcase across the rest of 2016 as he does in Sundance movie Frank & Lola, and the man responsible, Matthew Ross, should get a ton of attention as a result. Frank & Lola occasionally benefits from the weird energy shared between Michael Shannon and Imogen Poots. Lola tells Frank that the wealthy woman who picked him up in the club was in reality Alan's wife Claire, and that Alan brings her men to sleep with in exchange for her allowing him to do whatever he wants. Frank goes to Paris, ostensibly to look into a potentially lucrative chef job set up by Lola's mother (Rosanna Arquette, overdoing the shallow self-regard and sexual voraciousness; when she tells Frank, "I can't wait to taste your food," I expected her to add a cartoon-y meow). Theyre characters who exist only in cinema, working glamorous jobs that require them to occupy atmospheric sets in repose, looking commanding and sexy. Frank is a chef hoping to reclaim lost potential and open up his own restaurant in Las Vegas, while Lola is an aspiring fashion designer who has just been offered a job opportunity most would kill for. A few days after his talk with Hazel, he takes Lola to visit the winery, and she is elated to finally return to what she loves doing the most. RELATED: How To Get Away With Murder: The 10 Worst Things Annalise Ever Did. For one thing, Nobody knows how to eat anymoreall they want is gluten-free salads. Then theres the problem of Lola herself, an enigmatic slut with a past so dark and promiscuous that Frank is understandably suspicious. Its title is an early tip-off that "Frank & Lola" will be a new riff on Frankie and Johnny's old . Is Waratah Station a Real Sheep Ranch? However, Lola's reflection can be seen in one of the doors, watching Frank, leaving the status of their relationship ambiguous. Frustrated to the hilt, Lola quits the job and decides to start her own wine importing company. Tap "Sign me up" below to receive our weekly newsletter None of it makes any sense, and if you think you know how it ends when it fades to black, do send me a postcard. Frank confronts him with a knife he concealed in his sleeve about Lola's rape, which Alan denies. Based off the life we see him take, his enjoyment doesnt necessarily come from people. Dont worry, it wont take long. Yes, after a lot of trials and tribulations, Lola and Max end up together. He said, "An opportunity came up from producers and financiers who said that if I moved the film to downtown Las Vegas, they would finance it. "[3] Ross believes the Vegas setting made for a better film, adding, "Yes, it took eight years to get the film made, but I also got to really refine the script. Alan explains that the two of them were romantically involved and they had picked up the other woman from their favorite sex club. Franks own personal journey into understanding Lola, what happened to her, takes an atypical turn. After Alan shows him a video of Lola in bed with another woman, Frank switches prey and follows the woman in the video. The poster is so sleek and shiny, echoing the kind of romantic tales audiences like to get lost in. He lovingly confesses his feelings for her and they kiss passionately. I'd been living with the script for eight years at that point, and my experience with Las Vegas was probably pretty typical of most people who don't live there hotels on The Strip and staying up all night in casinos. When Frank attempts to blackmail Alan into leaving them alone by sending the surveillance tape to Claire via her email, Alan attacks him. Lola is many years younger than he is, so Frank is anxious. . "[3], In February 2014, it was announced Lola Pictures, Killer Films, Parts and Labor, and Preferred Content joined to produce the film, with Jan Van Hoy, Lars Knudsen, Christine Vachon, Kevin Iwashina, and John Baker to produce the film. Notwithstanding, then we encounter her mom, hear about her by, and we are reminded that as much every bit she is Franksouthward girlfriend, she has a life of her ain and has had a life before coming together him. Though she is the best at her job, her boss Calder mistreats her and refuses to acknowledge her hard work. [6] Frank & Lola was one of two completed featured films selected out the Lab's eight total projects. Alan then shows Frank a sex tape with Lola and another woman, that shows Lola taking sexual orders from Alan. They dont hit you hard emotionally, these arent the get-to characters for when you praise these actors or when you have a need to defend them. The romance is put to the side only slightly when the plots thriller aspects show up. However, Frank & Lola, for all its focus on the idea of revenge, feels like the perfect antithetical response to an industry bloated with rape-revenge fantasies in the guise of horror and thriller films. Poots makes nearly as strong an impression, but unfortunately this is not her movie. [13], In a 4-star review for The Guardian, Nigel Smith wrote: Dark and sexy, Frank & Lola is always one step ahead of its audience, to deliver a haunting examination of male obsession and domination, that also serves as a weird sort of love story Shannon is superb, investing Frank with a surprising amount of tenderness even as he grows increasingly irate with Lola and her profusion of untruths. She hesitantly informs Calder, who decides to go there as well to sabotage her. Unlock access to all of Film Inquiry`s great articles. Copyright 2023 Meredith Corporation. An example of data being processed may be a unique identifier stored in a cookie. What I loved about this movie the about was Poots and Shannons chemistry. A seductive and intense noir romance for our times, FRANK & LOLA is the story of two people locked in a battle of passion and obsession. In that Lola, the victim in question, doesnt need anybody to do away with her abuser, nor does she even need him driven forever from her presence. Desperate to convince Hazel, she agrees to work as a temporary jillaroo (ranch hand) under Max at the farm, to prove her mettle. Lola Alvarez is a talented sommelier who works as a wine executive for Mythos, a wine importing company. Director and writer Matthew Ross brings his debut feature to the screen with Frank & Lola. Whoever heard of a movie star named Poots? There is always this appearance of suffering when it comes to Shannon, and that looks is used well here. After the trial, Bonnie is standing next to Annalise and is the first to notice Frank was heading towards the Governor. But Ross isnt Wong Kar-wai. A young daughter, a higher pupil at the time, named Lola meets this chef named Frank. 45 were here. Yes. Is it an honest view, or does it still feel exploitative? Ian McEwan's 2001 novel Atonement opens with a description of what it's like to invent a world. Together, Frank and Lola build an intense relationship that saves them from their mutual despair. The brain tin can easily express thoughts and feelings, just sometimes it is difficult to explain its actions. These and other everyday pieces of a life take on greater significance and heartbreaking meaning throughout the course of "The Father.". We wont be able to verify your ticket today, but its great to know for the future. The acting - of course - is superb with Shannon getting a showcase part that plays to his strengths. Because what an audience of men specifically need to understand, alongside Frank, is that the assault or rape of a woman has nothing to do with the next man shes with, it only has to do with her. Updated December 07, 2016 at 10:07 PM EST, ALL CROPS: FRANK & LOLA, from left: Michael Shannon, Imogen Poots, 2016. ph: Eric Koretz / © Paladin / Courtesy Everett Collection. Frank and Lola may not have the complexity of plot and sense of inevitable doom that marked much of the work of a noir master like Jim Thompson, but it offers the same sort of bleak character study that he specialized in. When the pair returns from their camping trip, Lola immediately decides to return to Los Angeles and starts packing her bags. this link is to an external site that may or may not meet accessibility guidelines. The specifics of their courtship are mostly elided. The biggest point of Lolas story, albeit told at times through the lens of Frank and his experience, is that this struggle is her struggle; its her pain. It's a terrific gambit, as well a welcome break from the preferred method of storytelling in romantic dramas, which is more along the lines of, "Hi, John, how is your brother, who I haven't seen in twelve years, and who betrayed me?" A love-sick guy who allows himself to fall for the wrong girl and then gets led down a morally rocky path toward oblivion. Later, they return to Waratah Station as a happy couple, to celebrate Sams wedding with her girlfriend Heidi. Except things arent as clear-cut Lola led him to believe. A steamy neo-noir that builds considerable suspense while throwing a succession of narrative curves, it might have been called Sex, Lies and Videotape had not the title already been takenall three are major plot elements, although the VHS element has been updated. Regardless, Lola approaches her and pitches her ideas, but the latter turns her down as her company is relatively new and still needs a license. Frank Calvillo 211 Followers Follow More from Medium Alvin Ang in Mind Cafe She credits him with jump-starting a pattern of self-destructive sexual behavior, which includes an impulsive one-night stand at a hotel with a guy she admits means nothing to her (Frank is devastated). He cleverly lies to Hazel and says that he is offering Lola a promotion in the company, and tries stealing credits for her efforts again. Claire offered her a $400,000 check if Lola were to get an abortion and leave Paris, which she reluctantly agreed to, and moved to Las Vegas, where she then met Frank. They're at once mundane and unreliable, tactile and elusive within the ever-shifting mind of Anthony Hopkins ' character, an 80-year-old . It's certainly not a date movie, and all the better for it.[18], Deadline's Anthony DAlessandro: The former Variety reporter and Filmmaker editor has crafted a complex psycho-sexual love story here, with hues of Jacques Audiard's The Beat That My Heart Skipped, Francis Ford Coppola's The Conversation and Bernardo Bertolucci's Last Tango in Paris, among other titles.[19], The Boston Globe included the film in its "Finding Winners at Sundance" wrap-up, with critic Ty Burr saying that: This feature debut from writer-director Matthew Ross teases intriguing interference patterns out of its various genres, moods, and locationsIt's great to see a Vegas movie without a single scene set in a casino, and when Frank & Lola hops the Atlantic to ParisRoss uses the Marais district and the Place des Vosges with a similarly fresh and unnerving eyeRoss is one to keep an eye on. His suspicions grow darker when Keith finds a position for Lola at a posh boutique. Frank and Alan beat each other to sirloin tartare. Moving forcefully between movies and theater, Michael Shannon is a convincing and resourceful actor who is now too established and viable to settle for enigmatic roles in meaningless, throwaway movies with zero possibilities for commercial success like a thing called Frank & Lola. Yes, the title implies its about them both, and in most ways the plot looks at them in equal measure. This movie casts a troubling spell.[16], In Consequence of Sound, Michael Roffman wrote: Part drama, part psychosexual thriller, part revenge fantasy, Michael Shannon's latest platform balls up the dark mystery of Polanski, the vivid passion of De Palma, and the razor tension of Hitchcock for a savvy and meticulous 90 minsFrank & Lola is an electric modern noir that thrives from indelible characters and a palatable style. He dies from wounds from the returning the film had its world premiere at the 95th Academy Awards into. 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